Publisher:State Library of New South Wales, Sydney, 2005
Edition:Unstated
Binding:Softcover
Condition:Good
State Library of New South Wales, 2005, Softcover, Book Condition: Good, Unstated
"At this moment(2005), a David Moore photograph is 14 Billion kms. from Earth, racing away at 539 million Kms. per year. It is aboard Voyager, one of two unmanned spacecraft launched in 1977." Stapled Card Covers. Size: 4to - over 9¾" - 12" tall. 18 pages. Item Type: Catalogue. Covers have some shelf-wear, as well as some bumping to corners & extremities. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Photography; Main Picture: Front cover. Picture 2: Redfern Interior 1949 - Carrying a borrowed press camera in a Redfern Lane, Moore was accosted by the woman on the right, who mistook him for a newspaper photographer. She wanted coverage of her family's impending eviction. Too shy to refuse, he complied. Later, feeling guilty about his intrusion, Moore wanted to destroy the negative, but he was dissuaded by Max Dupain, who understood its importance to posterity.. Picture 3: Alexandria Sydney c.1949 - Dominated by a Kiwi boot polish advertisement, this stark photograph marks a transition for Moore from the modernism of Max Dupain to the realism of American documentary photography.. Inventory No: 18527.
"At this moment(2005), a David Moore photograph is 14 Billion kms. from Earth, racing away at 539 million Kms. per year. It is aboard Voyager, one of two unmanned spacecraft launched in 1977." Stapled Card Covers. Size: 4to - over 9¾" - 12" tall. 18 pages. Item Type: Catalogue. Covers have some shelf-wear, as well as some bumping to corners & extremities. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Photography; Main Picture: Front cover. Picture 2: Redfern Interior 1949 - Carrying a borrowed press camera in a Redfern Lane, Moore was accosted by the woman on the right, who mistook him for a newspaper photographer. She wanted coverage of her family's impending eviction. Too shy to refuse, he complied. Later, feeling guilty about his intrusion, Moore wanted to destroy the negative, but he was dissuaded by Max Dupain, who understood its importance to posterity.. Picture 3: Alexandria Sydney c.1949 - Dominated by a Kiwi boot polish advertisement, this stark photograph marks a transition for Moore from the modernism of Max Dupain to the realism of American documentary photography.. Inventory No: 18527.